Skip to main content

OBAMA: A TRIBUTE TO ELLSWORTH

                                              MASTER SARGENT ELSWORTH DANSBY
                                             http://omeka.decaturlibrary.org/items/show/128
                                                                               

OBAMA


That shit was inspirational.

Like a 14-year old kid

seeing a partially dismantled

airplane in a black man's garage.

We didn't all stomp roaches in the morning

on the way to a cereal box

cinched up tight to keep out the critters?

No. Factory heat baked in the grease

that settled into the creases

of beat up, steel-toed boots and khakis

or brooms left calluses as big as dimes

on the leathery hands of those

who drove the big Buicks on my block

and still they struggled to keep up

appearances, show up on Sunday

and strut in Stetsons and Stacy Adams

after sipping shine on Saturday night

at the after hours spot.

That's it. That's what was done

when there were a few dimes left

after making the car payment.

The pimps and the dope boys would sometimes

come through in souped up sedans on rims

but that would be all that we'd see of them.

So imagine the surprise at the sight

of a honey-brown skinned man with light

dancing in his eyes as he took the time

to describe the foils and flaps

and wind resistance and what it meant

to fly with the 477th Bombardment

Group and to train with the big B-52's.

It sparked wonder. Made a little black boy

look about in wide-eyed delight and wonder

at the possibilities suddenly

revealed, as if the invitation

to come by and cut grass was more

than charity for the brokest member

of the high school orchestra,

but that he saw me, one of three

or four black kids on strings. It meant the world

and opened up a part of the world

that had been denied to me

in AP History. I didn't know.

I didn't know that there was more out there.

That black folk moved and made waves and change

and demanded that they be treated the same.

The high school counselor told me

to give up, to let go and to accept

the inevitability

of dope deals or molten steel,

before the collapse of an iron

economy; overwhelmed

by the Chinese. I denied her

the pleasure and went to State. I did give

up, though, eventually agreed

with her, and left in disgrace.

At least it was for me. Most

didn't even notice. Just accepted

my presence back on the block,

even though I no longer carried

the viola case that I'd attached

the straps to so that I could carry it

on my back and still throw hands

when it was time to defend

our Section 8 housing units.

They didn't care and didn't want to hear

my fanciful tales of black men

building airplanes on the West side,

way out past the university,

where the rich white folks reside.

Yeah, right. That don't seem right.

Did he sell dope or sell out?

Cuz that's how we can expect to get out

unless we can run real fast.

And black boys learn real fast

that there is a limit to how far

the feet can take you, like ducking through

back yards and hopping fences

at three a.m. when the police

are in pursuit, so even fast niggas

end up back on the block

after their careers or prison terms

run out. But the possibility

of some dude who looks like me, who donated

my instrument and made sure that

someone like me would actually play it,

made me believe in something

that I could not see.

I remember interrupting him

at some point and asking,

my imagination activated,

What's a Tuskegee--?”


gzus

Comments

Popular posts from this blog

CHAPPELLE PUT ON A SHOW

  CHAPPELLE PUT ON A SHOW Some of Dave Chappelle's comedy makes me cringe. It can sometimes be very difficult to hear, to sit through objectively. I've admittedly had to watch some of his controversially critiqued Netflix comedy specials more than once in order to parse through the nuance; the purpose; the intent. When his most vociferous critics and detractors first took issue with the big corporation's 'so-called' negligence, in light of his recent release, 'The Closer', it left me with much to think about, but probably not what his detractors expected. The fact is, as a black man living in the heart of America's racial animus, someone who has some historic awareness relating to the confluence of the Civil Rights Movement and its intentional and successful co-opting by the LGBQT+ Movement(which, in my opinion, wasn't to be negatively criticized, but serves as proof positive that the tactics employed by the likes of Dr. M. L. King Jr could, too, ...

THE HARDER THEY FALL

  THE HARDER THEY FALL Westerns tend to draw their lines early on, establishing the character arcs of its White Hats and Black Hats in the first act. We know who the good guy is. He's gonna carry top billing. He's gonna be the star, gunning down some damn dirty injun or State's Rights hating scum. My Daddy watched Westerns. Loved them. He came home from work in the evening and immediately appropriated the television; turning it to M.A.S.H., the evening news and then, finally, Gunsmoke, before the prime time shows started up. This was done ritualistically. It made all of the kids scatter, find a corner to explore our own imaginations rather than subjecting ourselves to the boredom associated with that block of television programming. The Harder They Fall established its White Hats and Black Hats in its opening scene, as well. As the film progressed, however, it seemed more of a generational delineation. Old Heads vs the New. Delroy, Idris, Regina, the leaders of t...