Bealz was born out
of a conversation I had with my son, a 6th grade student
with absolutely zero interest in reading. This is despite the fact
that, over the last few years, I've presented him with dozens of
different books and graphic novels and age and genre specific
materials. None of it drew him in.
He'd read this
stuff, if I literally stood over him. It was never enough, though,
to spark a flame of passion, to peak his interests, neither for the
simple pleasures of reading and exploring the limits of his
imagination, nor for any of the actual storylines, genres or
characters.
This then led me to
consider the source. There wasn't much readily available nor
recognizable within the realm of the mainstream that was geared
towards kids like him. Kids who's interests and experiences differ
so greatly from society's generalized expectations and assumptions.
He could not find
anything quite like himself or anything which spoke to his
experiences in the brightly colored, happily-ever after outcomes
offered up to him in literary abundance. Zavy's reality diverged
greatly from these overwhelmingly one-sided representations and was
quite messily anchored in the contemporary issues which beset our
community.
You see, although my
son wasn't mine biologically, eleven years on there is no question
about individual roles within our old/new nuclear family dynamic. I
am a Dad to him, not simply out of necessity, though the need was
there and apparent, and he is a son to me. We are bonded by love.
But he is quite
aware of his true biological roots. I'd have it no other way. He
knows who his father is, even as he identifies with me as one of his
primary parents.
He also knows where
his father is, where he has been for the vast majority of his life.
And perhaps it was
because of my years and years of experience in public education and
child care, working with the disenfranchised, the forgotten, the
struggling, but I knew that, like many of the boys and girls who
passed through my alternative education programs, he faced the same
issues, struggled with the same concerns.
Many of these kids,
like Zavy, know their biological fathers from a distance only and
would likewise struggle to envision their faces. My son has nothing
but a battered photograph from his first several months of life, and
a short period between terms of incarceration since, as the basis for
those memories.
But just like the
majority of the boys and girls that I knew to be living with the same
confusing and frustrating issues, from all appearances, there isn't
much to suggest such layers of complication.
Because of this it
is easy to forget that their perspectives, their understanding and
expectations, differ from the social standard. The unfortunate
reality, however, is that many of them, unlike my son, don't have a
positive male role model, let alone a stand-in dad to show them what
this social standard looks like. It's not surprising then that they
typically have difficulties expressing themselves, their fears and
frustrations.
Casting around, they
long for familiarity. Someone or something that would speak to their
concerns. Prepubescence is a difficult period of transition anyway,
to do so with a missing piece of self makes it that much more
overwhelming.
This is why Bealz is
so important to me. Because, I know that the ability to lose oneself
in alternate reality, in fantasy, mystery, in drama and romance,
something that can connect with your experiences, can be a lifeline
in a sea of unfamiliarity for the kids who are just starting to feel
their way about the world and can help to determine their
relationship to it.
I know it was and it
did for me.
Literature, the
written word, a good story, can help kids connect with and understand
their issues and find comfort and hope in discovering that others
have experienced the same and have found triumph. It is unspeakably
important then to see oneself positively reflected through art, to
envision oneself in the fictional characters overcoming some
insurmountable difficulty, someone with shared experiences.
Art, be it visual,
musical, poetic, literary or otherwise, has the ability to impact the
human heart and mind in a most profound way. It touches on, in fact,
the very essence of what it means to be human. It expands upon the
empathic connections which allows for a more complete understanding
of ones relationship to the world around you.
When I read the
first section of Bealz's story to Zavy, I recognized immediately as
he sat and listened with interest that I had found that which I had
sought. He asked questions as the chapter drew to a close and
inquired about what would happen next.
He wondered aloud
about Bealz's antagonists, how he'd extricate himself from the
dilemma which kicks off the story. He wanted to know about Bealz's
mom and dad and more.
So I had to find
some answers to his questions. I had to feed his interest. I had to
keep writing.
Every couple of
days, now, he wants an update. He presses me to forge ahead, to
allow Bealz to continue to speak to him, to continue to tell his
story. He wants to know what happens next.
I don't know,
myself. I have yet to write it.
His enthusiasm,
though, spurs me on. It inspires me to continue to pursue Bealz's
story, to give it life and to allow it to speak through me.
And it does, the
story, but also the characters, themselves. Everything about this
fantastical tale, so far, has been very familiar. I know these
people, which has made it easier for me to give them voice. I know
the places they've been forced to stay, the struggle and the
difficulty they've been forced to endure.
For those of you
close enough to care, you know that I am a poet. My inspirations are
typically expressed iambic-ally. Long form story telling, for me, is
a process that I liken to pulling teeth. The story of Bealz and his
family is important enough for me to fully commit to it, though.
I have, a good idea
of how things play out over the course of about 3/4th 's
of the story. I may even have a pretty good idea about how it ends.
I just have to
figure out how to write it. I'm learning. Bear with me.
This blog will be
comprised of a very raw, working copy of what I intend to be a
complete book that I can present to my son with pride. He's an
amazing dude, gets on my last nerve at least four to five times a day
and makes me smile by ten times that number.
I love him in a way
that would have been impossible for me to understand ten years ago
and impossible for me to imagine life without in the moment.
The prospects for
his future, all of the obstacles society has placed in his path,
frighten me, so I want no less than to see him grow and succeed. I
want to give him a character, an epic story, an adventure, that will
inspire him to try.
As I put the
finishing touches on this particularly long and rambling bit of
introduction, we are less than a month or so away from the cinematic
release of an iconic figure in the African-American cultural lexicon,
The Black Panther.
This character's
introduction in the 1970's was radical, even if it was ushered in by
a couple of daring white guys, and game changing in the black
community, in that there had never been such a powerful depiction of
a black man presented anywhere within the mainstream media's
offerings.
I had no idea about
the larger social ramifications of this, I just enjoyed the fact
that, all of a sudden, my father was happy to buy comic books for us.
I am thankful that he recognized the importance of his children
seeing themselves characterized so powerfully, so equally, if not
superiorally represented.
This is what Bealz
is to me. A chance to give my son something to latch onto, a
character that he can call upon for strength, for inspiration.
Bealz's story, make
no mistake, is a contemporary piece of fantasy. It deals with very
adult themes. It isn't a children's story, even though one of its
central characters is a child.
I chose to read this
to Zavy, as is. It is raw and often explicit and there will be those
who may consider some of the subject matter and terminology to be off
putting and inappropriate for their own eleven year old.
But, again, I must
reiterate. I am a poet. Seriously. I consider myself an artist.
As a result of basically being raised by an artist, raw
eccentricities and all, I've chosen to expose, not just Zavy, but all
of my children to all forms of artwork, from paintings by long dead
masters, to more contemporary works of fiction, like the evening
news.
You do as you
choose. But again, I must reiterate, this is not a bedtime story.
It's more like, what if Harry Potter was from the hood?
Crackheads and
cornerstores and all.
I am about ten
chapters or so into the story so far. I will present a chapter at a
time, probably on a weekly, maybe a bi-weekly basis. I encourage
feedback. Don't expect that to be directly reflected in the actual
story, however. Bealz is what it is. I'm just here for the ride,
but I do enjoy a good conversation.
Besides, facts and
information should never be shied away from.
A lot of the
cultural references and structures I'm basing this story on are quite
recognizable. Any insights into how this can historically relate to
the contemporary tale that I am attempting to tell would be most
useful. This is how you get your friends and family to do your
research for you. If I'm lucky.
I will be continuing
to update and spruce up the joint as well. I'll be adding artwork,
probably an unsolicited opinion piece or two, poetry, some family
pics and whatever else may pop up in my scattered brain.
Most importantly,
for me, is that my family and friends give this story a try. I want
you to recognize yourselves in this. I want you to recognize
yourselves in me.
Either way, let me
know what you think.
gzus
In case you didn't
know, there are mysteries for an eleven year old to explore in even
the worst of America's hoods. There are forbidden spaces to venture
into, urban myths to frighten, ghost stories to haunt, fantastical
dreams still to be had. There are stories to be spoken and heard.
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